好电影不一定要酷，不一定要制作规模超级大，不一定要节奏快，不一定要·····太多了，一部好电影

这么个题材，狗血洒得比悲情多，美国式禁忌最后终于发力了。对主角来说是挺挑战的戏，toda演得很适度，室毅不妄我对他莫名的好感，也演出了魅力，不过相较松冈信手拈来的高级感，他的风格还是属于路边摊系的w这个病到最后是不是都不太能理解小说的逻辑了？前后反差真是令人心碎。主题曲好听，戏服好看，小朋友可爱。

我特别想知道5分怎么刷出来的

蹭越狱热度，剧情极度弱智，无力吐槽，越狱中好几位主角啊，t-bag，黑人中士等，美国式禁忌都是给男女主角做绿叶啊，女主朱珠颜值身材不错。

A cheap and reactionary film. There is no "redemption" here, but "hope" (the hope of what?). What happens the next day, when parole officers catch up with Red? What happens to bringing the real culprit of Andy's wife behind the bar? Where is the PTSD of an "institutional man?" There is no deep critique of prison economy here, nor that of America's CJS (all we have is a few corrupt officials outsmarted by a banker who of course ran away w all the money and is praised for it, sounds familiar?). The completely implausible "figaro" sequence cheapens the real struggle for freedom. All of this is the stuff of cheap Hollywood.